Michael Espinoza (they/them or he/him) is an artist living and working in Portland, OR, located on the ancestral lands of the Multnomah, Clakamas, Kathamet, Tualitan and the many other tribes who made their homes along the Columbia river. The major themes in their work include queer identity, Mexican heritage, whiteness, family, ancestry, healing and recovery, sex and the body. Recent work has included a durational live performance on the streets of Portland, site-specific gallery installation, video installation for Museo de las Americas (Denver, CO), and a series of installations by the sea in Jalisco, Mexico. They regularly collaborate with academics, performance artists, visual artists, drag queens and dancers. They are currently at work on a collaborative project which aims to create a large conceptual space to fill with the artworks which would have created by an entire generation of queer ancestors lost to AIDS. Please contact them immediately if you fund a grant or residency that could support this type of work.
How to Survive a Plague
Latex Condoms, vinyl, emroidery
MASK group show at
Vicki Myhren Gallery
Model: Angel 01
How to Survive a Plague, (latex condoms, latex, embroidery. 2020) New sculptural work in the group show MASK for Vicki Myhren Gallery at the University of Denver. Denver, CO.
Rooftop Ritual, 2019, Portland, OR in collaboration with immersive VR technology, featuring Pepper Pepper, http://thepepperpepper.com/
HOMOFAGSGIVING, community action, 2017-20, Portland, OR. Gathering for creating a collective focus for honoring queer ancestors.
Interview, a conversation with Museo de las Americas for the installation of A Place/Un Lugar, June 2020 www.museo.org
Interview, The Queer Spirit podcast with Nick Venegoni. April, 2020 http://queerhealingjourneys.com/podcast/
Live Reading: The Faggots and their Friends Between Revolutions by Larry Mitchell, Anchoress Syndicate via Instagram Live, March 30, 2020.